Tag: ghosts

Why is Gettysburg So Haunted?

Alex Matsuo

Long time no see!

I realize I broke away from my weekly routine, but there’s a good reason for that! After this recent Gettysburg trip, I was EXHAUSTED. Just a few days after my return, I had to have major surgery. That kicked my butt. I’m just NOW feeling like my old self again. I have some limitations. But luckily, I can write and make a quick video.

Originally, I was heading to Gettysburg for the Battlefield Bash, which was supposed to take place July 24th-26th. Because of COVID-19 and event restrictions, the event had to be canceled. Such is life in a COVID world. But, the AirBnB that my team and I booked was non-refundable. So, we were going anyway!

First Time for Everything

This was my first time staying in an actual house in Gettysburg. Previously, I had always stayed in a hotel or a motel. This house is known as “Pearl’s Place” on AirBnB, and it was overall, a fantastic experience. We’re pretty sure it’s haunted as well. During my first night, while trying to sleep, I kept feeling tugs on my CPAP tube and it kept waking me up. When I checked the tube, nothing was catching it. After the third time of this happening, I said, “This helps me breathe when I sleep.” After that…nothing. I slept peacefully.

I also encountered shadows and footsteps in the hallway. During our first few nights, we were aggressively trying to debunk any sounds we were hearing through experimentation. It’s fun to go on adventures with your team! The resident ghost(s) made other appearances in different ways, but that’s a story for my teammates to tell when they’re ready.

With Gettysburg Ghost Tours, we went to the farmhouse and the McCurdy School House. We also investigated the Farnsworth House Inn as well as the Jennie Wade House and the Orphanage. Even though I’ve been to the farmhouse, Jennie Wade, and the Orphanage before, I had completely new experiences.

Why is Gettysburg Haunted?

As I reflect on this trip, it made me ponder exactly why Gettysburg is haunted. I’ve compiled a shortlist of my theories and reasons why it’s haunted.

Reason #1: A Lot Happened

Between July 1-3, 1863, a lot happened in Gettysburg. This was one of the bloodiest battles happening on American soil. And the townsfolk of Gettysburg also had their own trials and tribulations just trying to survive. This was a literal assault on the grounds and it was like a lightning strike of turmoil and death. Gettysburg was absolutely traumatized and ravaged from the battle, and it took them years to recover. That alone is enough to warrant some sort of lingering energy. Perhaps there are spirits that still wander the land, confused as to what actually happened to them.

One could even argue that a lot of the intelligent hauntings that are taking place at Gettysburg are those of spirits who don’t know who are dead, because everything happened so fast. On the other end, my friend Michelle Hamilton told me about the idea that Jennie Wade is still haunting Gettysburg and is very aware of what is happening around her. She’s even considered the town gossip of the paranormal world. I guess if she didn’t live long enough to live her best life in the 1800s, she’s doing it right now.

Reason #2: Stone Tape Theory

While the Stone Tape Theory itself is a bit of an unstable claim to base this on. I’ll go about the idea that the land itself absorbed all of that energy from the battle. For decades, people have commented that there’s a special kind of energy at Gettysburg. You can feel the difference. You can feel the trauma and the aftermath of the battle itself. With the absorption of all of that energy, it’s sure to bleed out.

In this case, since we are still feeling that energy over 150 years later. Maybe that’s why people report hearing rebel yells, cannon fire, gunshots, and seeing reenactors (even though no reenactment is scheduled)? These aren’t intelligent hauntings. Instead, this is residual energy that is replaying over and over like a broken record.

Reason #3: Retelling the Story

The story of Gettysburg has never had a chance to rest. Even after the battle, the town was focused on recovering the town and trying to get back to normal. Just a few months after the battle, Lincoln came to town and gave his famous Gettysburg Address when the Soldiers’ National Cemetery opened. The town’s identity became the Battle of Gettysburg.

Today, people are constantly retelling the story. Whether it’s the museum with its film, cyclorama, and artifacts, people taking the Auto Tour, or even just shopping around, the story is constantly being retold. That energy is being reawakened on a daily basis. Because of this, you could say that the energy from retelling is story is constantly charging up the hauntings at Gettysburg.

Reason #4: We Want it to Be Haunted

This is not only a case of self-fulfilling prophecy but also a case where we can explore the ideas of thoughtforms and tulpas. In the event of self-fulfilling prophecy, if we ghost hunters go out to look for a ghost, and in Gettysburg of all places, then usually, a ghost shall be found. This happens more often than we think. When different tour companies tell us their ghost stories before the ghost hunt or candlelight tour, we have a heightened sense of anticipation. When this happens, we may very well mistake a simple creak as a terrifying ghost. From there, more stories are created.

On a completely nerdy note, there’s also the idea that people can create their own ghosts and hauntings. Some people call these “thoughtforms” or “tulpas.” The Philip Experiment is a great example of this. However, the experiment took years with a group of people meeting once a week. A tulpa takes years of intense concentration to manifest. Because humans typically don’t spend this amount of time on concentration during a ghost hunt, I’m not completely satisfied with this idea.

Reason #5: Modern Hauntings Mistaken for Civil War Hauntings

I don’t think all of the hauntings people encounter are tied to the Civil War. I often wonder if the strength of the Civil War-based paranormal world has given strength to more modern hauntings. Sadly, I do wonder if maybe the hauntings that have started after the Battle have been automatically contributed to the events of 1863. It’s odd because while trying to preserve history, we may very well be a part of the problem that is erasing it.

After Thoughts

I have to also wonder what the percentage of hauntings and ghosts stories are from the battle and how many others are just “regular” hauntings from the most normal things. Gettysburg continues to be a place where ghost hunters will often flock to in order to have that one amazing experience that may very well prove the existence of ghosts. But, how many people will encounter a ghost when they weren’t looking for it? Like, they’re just there to be tourists and take in the history of that great battle. When this happens, I have to wonder if there will always be lost souls wandering this great battlefield, looking for someone who can hear them.

The Ghosts of Alexander Hamilton & Aaron Burr

Alex Matsuo

You could say that Alexander Hamilton is not only popular in the theatre right now.

I wrote an article for the Association of Paranormal Study about the ghosts of Hamilton as well as Aaron Burr. We all know Lin-Manuel Miranda’s hit musical, Hamilton, took off. I often wonder if Lin got the divine inspiration to write the show. If not from God, maybe the ghost of Alexander Hamilton himself?

What if the widespread popularity that is Hamilton has reawakened the restless spirits of Alexander Hamilton and Aaron Burr? I’m no stranger to ghosts from the Revolutionary War. For example, the ghost of George Washington led the 20th Maine regiment during the Battle of Gettysburg. It should be no surprise that Hamilton and Burr might still be hanging around our modern times.

Turn on your Hamilton original cast recording, and let’s go on a Hamilton-themed supernatural journey.

The Hauntings of Alexander Hamilton

Alexander Hamilton has been seen around his impressive tomb at Trinity Church right near Wall Street. Given that Hamilton’s death was premature, it’s no surprise that he may be feeling a bit cheated out of a long life. He wasn’t even 50 when he died.

Hamilton didn’t die in New Jersey where the duel took place. Instead, he died the next day at the home of his friend, William Bayard. The address of this location is 80-82 Jane Street. There is a plaque on the building that marks where Hamilton passed. Before his death, Hamilton had been treated for his gunshot wound by John Francis, who lived at 27 Jane Street.

An artist by the name of Jean Karsavina has lived at 27 Jane Street since 1939 reported seeing paranormal activity like footsteps, blurs, shadows, things moving, the works. Hans Holzer even investigated these claims.

Why Here, Alexander?

Around the time that Hamilton rose to popularity, activity at 71 Jane Street started to escalate. 71 Jane Street is located across the stress and a few houses east of the infamous plaque. That house is owned by Joe Hamilton, who bought the property in 1994. Even after the home was purchased, Hamilton and her family heard crashes and other weird noises that were so bad that the family had to wear earplugs to sleep at night. Joe bought the house from Irene Connors, who believes that 71 Jane Street is indeed haunted by Alexander Hamilton. Why? She saw him with her own eyes. She described him as slim, wearing knee-length trousers, and wearing a white-powdered wig.

A medium was brought to 71 Jane Street. She didn’t pick up the spirit of Hamilton, but she saw a little boy. The medium and the crew used a Ouija board. When the medium asked the child what his mother’s name is, it answered, “Eliza.” Some have speculated that maybe this was the Hamiltons’ son, Philip, who died from a duel in 1801.

But why 71 Jane Street? Well, what’s interesting is that 71 Jane Street sits right in the middle between 27 Jane Street and 82 Jane Street.

The Hauntings of Aaron Burr

Aaron Burr’s legacy is forever known as the man who shot Hamilton. If you want to meet the ghost of Aaron Burr for yourself, visit the New York City restaurant, “One If By Land, Two If By Sea.” Legend says he’s responsible for crashing dishes and moving chairs. The staff at the restaurant rarely want to be there alone after dark.

Like Hamilton, Burr’s ghost has been found in more than one place. After the duel with Hamilton, Burr fled to New Hope, Pennsylvania and stayed with an old friend for a week. While the house was known as The Painted Lady, today, it is known as the Aaron Burr House. Burr’s ghost has been seen roaming around the house and peering around the corners. He has also been seeing going up and down the staircase and tugging on the clothes of guests. Burr has also been sighted around the town of New Hope and has been seen looking over his shoulder, as if someone was following him.

A Marriage of Convenience

Towards the end of his life, Burr married Eliza Jumel at the age of 77. Eliza was one of the wealthiest women in the country. Burr quickly drained her assets, and then he passed away. The marriage barely lasted a year. In fact, their divorced finalized on the day of his death. Ouch.

Today, a desk that belonged to Aaron Burr still sits in the mansion. He has also been seen around the house along with Eliza, who died years later at the age of 90. Today, the mansion is known as the Morris-Jumel House and is available for paranormal investigations.

Waiting for Nothing

Finally, one of the sadder parts of Aaron Burr’s life was losing his young daughter at sea when she was just 29. She was heading to New York City by ship from South Carolina and never arrived to her destination. Burr’s ghost has often been seen at Battery Park at the American Merchant Marine Memorial. It’s believed that Burr is still waiting for his daughter to return.

Do you think the ghosts of Alexander Hamilton and Aaron Burr still lingering on this earth?

Sources

The World Was Wide Enough: The Multiple Hauntings of Aaron Burr
Alexander Hamilton: Haunting More than the Theatre

http://www.wnycstudios.org/story/alexander-hamilton-haunting-jane-street/

Spirit of Alexander Hamilton may still be haunting the house where he spent his final days. (Audio)

The Ghost Hunter’s Quarantine Survival Guide

Alex Matsuo1 Comment

Before you start reading, please take a moment for vote for me for INDY Week’s Best of thee Triangle! I was nominated for Best Local Interest Website/Blog. Click here to vote, and it takes less than a minute. I so appreciate it!

It’s a weird time right now. Most of the world is under some sort of “stay at home” order, whether’s it a complete lockdown, quarantine, etc. Movie releases are being delayed indefinitely. TV shows are putting productions on hold. Essential businesses like grocery stores, auto repair, the post office, etc. are still open. But non-essential businesses like parks, hair salons, gyms, etc. are closed until further notice. 

Unfortunately, haunted locations are closed as well. While it may be hard to stomach, ghost hunting is not an essential business. Truly…it’s not. Does it mean that ghost hunting doesn’t matter? Of course not. It’s just not something we need to survive like food, medical needs, etc.

Impacts of COVID-19

All of these new orders are for good reason. It sucks My ghost hunting plans for spring and summer of 2020 are pretty much shot. I truly feel for the ghost hunters who are out there doing fieldwork several times a month. I know there are several teams that go out on a weekly basis (you are rock stars). This current time has got to be hard.

Taking a Forced Break from Ghost Hunting

But guess what? You don’t have to go out there doing fieldwork to be considered a ghost hunter or a paranormal researcher. If you’re truly looking for something to do to help amp up your ghost hunting skills and resume, there are things you can do! I compiled this list based on what I’m currently doing at the moment. Most of these are free.

Research

Is there a paranormal topic you’ve been wanting to learn more about? Do you want to understand why orbs aren’t ghosts? Want to know where the “woman in white” legend came from? This is the perfect time to research a legend or area of the paranormal. If you need an idea of where to start, think of different areas of paranormal research. Choose the one where you feel the most uncomfortable, or you can’t define in more than two sentences. That’s the topic you pick!

Go Through the Evidence That You Haven’t Watched, Listened to, Etc.

I’ll be the first to admit that data and evidence review is something I dread. Especially for longer investigations. For me, I’ve been spending 1 hour each day reviewing my backlog. 1 hour is pretty much my limit right now.

Read a Ghost Hunting Book

This may seem…too simple. For some, it is. For others, especially the ones doing fieldwork, reviewing evidence, networking, planning, etc. reading a book may be on the back burner. Take this opportunity to read about the ways other people are ghost hunting. I’ll take this opportunity to shamelessly plugin my book, The Brave Mortal’s Guide to Ghost Hunting.

Give Back to the Community

If you’re in a position where you can throw a few dollars at a paranormal location (especially if they’re non-profit), it would be a huge help. Many of these locations will be suffering significant financial loss because of canceled ghost hunts. If you’re not able to give financially, spreading the word and sharing content can make a big difference. You can even do live streams on Facebook and fundraise for the location.

Plan Your Next Ghost Hunting Adventure

Sure, we’re not sure how long this is going to last, especially in the United States. But, we can get ahead of the game by already planning our next adventure. Whether it’s mapping out where you’re going to go, your ghost hunting plan, equipment list, etc., planning your next ghost hunt will also give you something to look forward to in the future.

Take Inventory & Tidy Up

I know for me, at the end of an investigation, I sometimes will throw my equipment into some random bag or case, mainly because I’m packing up quickly. I’ve been taking this time to reorganize my equipment and make a list of what I need like batteries, new flashlights, etc.

Watch TV

Yep. Watch some TV. I do sometimes watch ghost hunting shows, but not for anything educational (sorry). Ghost hunting shows are meant to be entertainment. I’m watching them to be entertained, find new locations to check out, and also review their investigation skills and see what I could do better. Watching how other investigators do things, even if it’s on TV, can be valuable. You’ll either get validation for your own methods, get new ideas, or know what NOT to do.

Network

If there was any time to network with other ghost hunters, this is the time to do it. Whether it’s through Facebook or some other social media platform, take the time to meet other ghost hunters. Ask to have an online meeting on a platform like Google Hangouts and chat for a bit. This is also super helpful mental health-wise, as conversing with friends during this time can really help you. Most therapists are recommending that we connect with people for about 30 minutes per day.

Create Content

If you have the energy, definitely create content. This means creating images, videos, memes, videos, blogging, writing, live streaming, webinars, basically creating things that people can enjoy. If you’re a paranormal team, this can drive people to your page and website. If you’re a solo ghost hunter, same deal. Right now, we have to move to an all-digital platform, and creating appropriate content can still drive engagement with your work.

Self-Care

Most importantly, take care of yourself. If you’re not able to do anything on this list…that is okay! If you need to just veg on the couch and just exist…that’s okay. If you need to clean everything, that’s okay. Basically, don’t put too much pressure on yourself to accomplish things. This is a very trying time in our world right now, and we’re not quite sure when it will all be over. People are also on edge and many are feeling angry and need someone to lash out at. If you have to walk away from a discussion, argument, etc., do it! Take one day at a time, and we’ll get through all of this together!

Paranormal friends: What are you doing during your quarantine? Share your ideas in the comments.

Is “Courage the Cowardly Dog” Based on a True Story?

Alex Matsuo1 Comment

Let’s kick off the first entry of 2020 with a truly weird and unexpected story that I never thought I’d write about. I was born in the ’80s, which means I was a 90’s kid. In 1999, I was 13 years old and trying to get through my last year of middle school when this awesome cartoon series premiered on Cartoon Network: Courage the Cowardly Dog. The show only lasted until 2002, but reruns continue to air. It was probably one of my favorite late-night cartoons that I watched before going to bed.

Note: If you enjoy this blog, feel free to follow me on social media at @thespookystuff on Facebook, Instagram, Tik Tok, and X. I’m also an author! Check out my books on Amazon under Alex Matsuo. All the info you need is here.

Don’t feel like reading? Take a peek at this video!

In Case You’ve Never Watched the Show

As the title suggests, Courage is this adorable purple dog that is frightened of basically everything. He lives in Nowhere, Kansas with Muriel and Eustace after he was abandoned as a puppy. Turns out that his parents were sent into outer space. Muriel is a sweet Scottish woman who uses too much vinegar in her recipes, while Eustace is your typical crabby old man that harasses Courage. Muriel is often the one who is kidnapped by the show’s villains.

What is the Show Like?

I have to say that this show is wonderfully weird. There are some weird paranormal elements to it that I absolutely adore. As a kid, I didn’t think much of it when it came to the true stories or lore that may have inspired the series. Now, thanks to the reach of the internet and more, we are discovering more interesting stories behind the series.

Is the Show Based on a True Story?

Yes and no. There have been countless theories floating around the internet for years, and it’s hard to pinpoint what is actually true and what isn’t myth. There’s no doubt that Courage terrified many of us growing up, and it’s human nature to want to find answers to the mysteries we were exposed to.

For example, this image to your left has been floating around as the real-life house from Courage the Cowardly Dog. It is supposedly located in Truth or Consequence, New Mexico and was the location of a murder and a double kidnapping. In my scouring of the internet, I wasn’t able to verify this was true. I have no doubt that old Depression-era houses like this may have certainly inspired the designers from the show. But I have my doubts that the occurrences noted happened at the location above.

And then we have this next image.

This is another one that has been floating around numerous places like Reddit and other community pages. I will have to give credit to the creator of this image because it actually gave me the clue I needed to track down the story that is commonly linked with Courage. However, I soon learned that the caption in the photo wasn’t that accurate.

Yes, there was an elderly couple that lived in a neighborhood known as Kern Place in 1957. It was a historic neighborhood in the El Paso, Texas, right next to New Mexico.

The husband, William, was described as not the nicest person. The wife, Margaret, was described as warm, friendly, caring, and also petite. Yes, this sounds eerily familiar to their supposed cartoon counterparts. They also had a pet. They were last seen March 5th and 6th, 1957 after a neighbor brought over some Girl Scout cookies to them. The neighbor, Jeri Cash, felt unwelcomed and left soon after. She described Margaret as incredibly upset and William wasn’t happy with Jeri’s presence in the house.

They owned the business, Patterson Photo Supply, and were well known in their community. William was 52 and Margaret was 42 at the time of their disappearance. To this day, their disappearance is still an open case for the El Paso Police Department. The couple seemed to have disappeared without a trace. All that was left was their cat, Tommy. The couple did not have a dog.

Some have theorized that the couple was murdered and they were buried somewhere on the property. Former El Paso County Sheriff, Leo Samaniego, thinks that the couple may have been spies and left.

Friends of the couple told police that they went on an extended vacation to Florida and had sent instructions to distribute their assets and property to their friends, family, and employees. If anything, that sounds a bit suspicious. Especially since William owned a boat, a Cadillac, and property in Mexico as well as numerous stocks.

Also, there were friends who had dinner with the Pattersons just days before their disappearance, and they made no mention of having plans to travel. The friends, the Wards, owned an automotive business. They actually made plans with said friends for later in the week. What then became strange was that when Cecil Ward opened his business on March 6th, Patterson’s Cadillac was in his driveway. When Ward asked Doyle Kirkland, Patterson’s competitor, and close business friend, why he had possession of the vehicle, he brushed it off. Kirkland said that he helped Patterson with his boat the night before and he was going on a trip.

Ward was the one who called the cops. Margaret’s fur coat and the couple’s other expensive clothes were left at the cleaners. The house was in complete chaos with piles of dishes in the sink, and the house was described by police as being devoid of life.

The Secretive Couple

Turns out that Margaret wouldn’t tell people when her birthday was. Also, William had a mistress down in Mexico, who was also questioned after the couple disappeared. There were a few odd things about the couple that didn’t really add up. Apparently, Margaret’s parents didn’t approve of William as a spouse and forced their daughter to choose them or him. Well, we know who Margaret chose…meaning she was estranged from her parents.

Margaret and William Patterson

On March 15th, the couple’s accountant, Herbert Roth, received a telegram from a “W.H. Patterson”, which was weird because William’s middle name was Duncan. He was instructed to sell a mobile home owned by the Pattersons and act as business manager for their photo business. He was to use the money from selling the mobile home to support the photo business, as well as rent out the Pattersons’ house for nine months. After that, Roth was instructed to hand off the business to none other than Doyle Kirkland.

The couple was reportedly seen in New Mexico several times, but the couple was officially declared dead in 1964.

What Actually Happened?

Kookier theories explaining the Pattersons’ disappearance also include government conspiracies, UFOs, alien abductions, and skinwalkers. I take the last one back. The urban legend going around about the “true” story of Courage links the missing couple with sightings of skinwalkers prior to their disappearance. But I haven’t been able to find a link between the Pattersons and skinwalker sightings…at least not from a more legitimate news source.

In 1984, the Pattersons’ former caretaker, Reynaldo Nangaray, confessed to seeing (and cleaning up) blood in the garage and part of a scalp on the Patterson’s boat. He also claimed to have seen an associate of the Pattersons putting a bloody sheet in the trunk of their car. The reason why Reynaldo Nangaray didn’t say anything earlier was because he feared deportation since he was undocumented. The caretaker would die in a car accident two years later.

So, here we are. You thought you were going to read about how Courage the Cowardly Dog is based on a true story, and now you’re deep into a write up about one of the most mysterious disappearances of the 20th century! While the writers may have seen this story, they were inspired by countless stories and legends that make our society a little more spooky.

Sources

https://www.abqjournal.com/964774/el-paso-couples-1957-disappearance-still-unsolved-mystery.html

https://www.elpasotimes.com/story/news/local/2017/03/06/el-paso-familys-disappearance-remains-mystery/98702680/

https://the-line-up.com/william-and-margaret-patterson

San Diego & Raleigh: My Home(s) Sweet Home(s)

Alex Matsuo

I’m currently in San Diego, CA right now to give “The Haunting of the Tenth Avenue Theater” a proper launch! Tonight at 7:30pm, I’ll be doing a signing at Mysterious Galaxy Bookstore and tomorrow night there will be a launch party at the site where the book takes place. You can still join the party and RSVP! The party tomorrow, October 24, 2015 starts at 8pm.

bee-map

It’s been almost three years since I left my beloved Southern California home. It’s rather odd still to see a North Carolina license plate on my car and no longer having a valid California driver’s license. Everyday, I dream of heading back out west. But, at the same time, I’ve made some attachments in North Carolina. The Tar Heel State is starting to grow on me and feel more like home. I can certainly do things in NC that I’m not able to do in California, like be a part-time writer and work a full time job and still be able to pay my bills.

A few years ago, I would have said moving to Raleigh was the worst decision I ever made. But had the move not happened, I wouldn’t be where I am today. I wouldn’t have become the writer I am today, and I certainly wouldn’t be a published author. Crazy how the world works sometimes.

For the first time since I moved, I actually miss North Carolina. Perhaps it’s because Chris is there, but Raleigh has its own charm. I do hope to move back to California someday, or at least make some more visits. But for now, I guess I’ll just consider myself a bi-coastal transient still trying to find her place in this world.

Reflections on Becoming a Published Author

Alex Matsuo

Today is absolutely surreal. I never in a million years thought that I could become a published author. The whole concept is unbelievable, and I can’t tell you how extraordinarily lucky and blessed I am for this opportunity. Llewellyn Worldwide has been an absolute dream to write for, and I’m eternally grateful for this amazing opportunity that they have given me.

Of course, many people will wonder where I got the idea for the book. To be honest, the idea of an entire book dedicated to a haunted theater in the midst of a busy city was not new for me. It was an idea that I had been cooking in my mind for a few years now. The Tenth Avenue Arts Center is a beautiful location and has become quite the hub for the arts to cultivate. It is also home to quite a crew of ghosts who have found a home in the multiple stories, performing venues, galleries, and more.

I hope you will consider getting your own copy of The Haunting of the Tenth Avenue Theater and explore the stories and experiences that I and my team shared individually, and as a group. The publication is in perfect timing with the upcoming Halloween season, and is sure to be a wonderful addition to your ghost story collection.

To my friends who have been my cheerleaders and supporters, thank you so much! To my family who has carried me throughout the year, you mean more to me than you’ll ever know.

Finally, to my mother, who isn’t here on this Earth to celebrate with me, I hope I’ve made you proud. I miss you everyday, and this celebration is a collaboration of happiness and sadness as I feel your absence during this time.All ghosts want their voices to be heard...Are you ready to listen- (3)

The Performance of Ghost Hunting Part II

Alex Matsuo

This blog is a continuation of “The Performance of Ghost Hunting, Part I“

The critically acclaimed actress Fiona Shaw also volunteered to have her brain scanned, where she would switch back and forth from “acting” in the MRI machine to doing static actions such as saying the ABC’s and counting numbers. The results were that while Shaw was acting, she was using a part of her brain that was responsible for visualization. This caused me to question whether this could also lead to the potential of having some sort of psychic abilities, or in the very least, develop empathic abilities since the very essence of acting is to emulate life and present different emotions with legitimacy. However, every actor hasn’t had his or her brain scanned. But based on the fact that Shaw is an extraordinary actress, the brain activity occurring during her performance may very be similar as to the brain activity of those who use the same performance process as Shaw. Given the success rate of the Ganzfeld by artistic people, it is interesting to consider that since the experiment is partially dependent on the send of images and video, the send creates their own visualizations in their mind and send it over to their fellow artist, who may use the same part of their brain.

And if the actor’s visualization skills are stronger than the average person, perhaps it could be the reason why actors are more vulnerable. Actors and musicians are also able to channel in their emotions more efficiently so that they’re available during their performance or writing their own pieces. Could this vulnerability lead to a higher chance of having ghosts interact with these artists? I don’t think that it is a stretch to hypothesize that performance could be summoning these ghosts even those the performer has no intention of doing so. Or is it possible that the actor could be using that energy in creating their own ghosts so to speak? Like thoughtforms of characters? The actor has a much larger role in theatre hauntings than they expect.

Then we have the factoring in of the actual ghost hunts that are taking place. Ghost hunting really is a performance from the perspective of the ghosts are your audience members, and you are saying certain words and doing certain actions for the purpose of getting a response from the ghost, just as when the actor performs on stage, they are anticipating some kind of reaction from laughter to tears. But just as an actor can have a bad performance, the ghost hunter can have a bad investigation. Maybe the wrong questions were being asked, or the ghost hunter and the ghost just weren’t connecting. It can be hard to figure out exactly where the investigation went wrong. But there are things that the ghost hunter to do to ensure a smoother time, which includes doing your historical research as well as making a completely game plan of the events of the investigation.

Even in our day-to-day routine, we are in the midst of a performance until we are alone at home. In the same sense, ghosts are constantly in performance mode as well. Think about it. They might be unaware of the amount of energy they carry, and with the wrong movement, they could reveal their current state. Or if the ghost has a message to send, and is in desperate need to get the sender’s attention, the ghost may put on a performance to make sure that they are being listened.

On that note, will we ever reach a time where we will no longer expect a performance from ghosts and just allow them to talk? That will actually be my next communication experiment at the Tenth. No more expecting “yes” or “no” answers, but instead, just allowing them to talk. Once I approach an investigation in that way, collecting tangible evidence would be more difficult, unless I was able to obtain better equipment that was more sensitive and could play back the information that was collected.

The performance of ghost hunting places responsibility on both sides of the investigation relationship. It is a tug of war relationship between the ghost hunter and the ghost, as they continuously trade roles from performer to audience member, and then back again. However, unlike the ghost hunter, the deceased are forced to perform when requested by the ghost hunter. I almost want to imagine circus animals that are being chained to their cages while the ringleader cracks their whip to get them to perform. In some cases, the ghost hunter may threaten the presence with religious objects such as crosses or threaten to force the deceased to cross over to the other side. The investigation process, while this will be ironic for me to say, shouldn’t be a performance like this, but instead a mutual agreement to engage in conversation and finding the most productive method of establishing that communication. The need to impress or outdo other teams is primarily responsible for the circus-like spectacle since a team’s value seems to lie upon whether they can capture the best evidence or not. While evidence collection is important, it is being used for the wrong way. Which is probably another reason why we have so many people trying to pass off their photos of dust as evidence of a ghost, or why people are faking evidence so that they can get their 15-minutes of fame. It really is a shame, and it does nothing more than harm the research field for the paranormal, and it is the reason why this community has yet to find widespread respect.

Perhaps I am not one to talk since I was interviewed by public television about the Tenth Avenue Theater, but that opportunity came about unexpectedly, and I did not ask for the interview. The field right now is flooded with people who are using the paranormal to gain a celebrity status. Is it right? I don’t know. If I were to criticize it, I would also have to criticize those who use theatre to get famous as well. It is a hard line to tow indeed. As a believer in karma, and the mindset of “what goes around comes around”, I wonder what price we will have to pay for putting the deceased out there in the public eye and not only making them perform tricks, but forcing them to become entertainment for our own pleasure.

I have mixed feelings about guided ghost tours that take place night after night. While I love the idea of having access to haunted locations and investigating, I often find that these tours are there for the specific purpose of entertaining people. So, in this case, the audience is the tourist. I do pay for my ticket to be a part of the ghost hunt, and I often find myself being the most experienced in the group, with the rest of the attendees borrowing equipment from the host team and going around ready to jump at the first sight of a ghost. I have distinctly mixed feelings because while I feel like it is a great opportunity to expose more people to the paranormal field, it is also subjecting the deceased to being performers, all the while the teams that are hosting these tour are proclaiming that they care about the ghosts. When these tours are happening year round and people are paying a good chunk of money to be a part of the experience, I find it comparable to running a circus and cracking the whip on the animals while saying you care about them under the same breath. I have also noticed that these ghost tours actually outnumber any historical research based tours. You can tell whether people would rather learn about history or be entertained, and so which direction is society heading?

It seems that we are at an impasse, both the living and the dead trapped in the world of continuous performances. Even in life, we perform all the time from our work duties, to tasks that need to be taken care of at home. With each changing social circle, our audiences change and thus, our performances change. I don’t act the same way at home as I do with I’m with my best friend at a bar enjoying a drink. In death, it should be our time to rest. But with the constant popularity of ghost hunting, it may be a while before the dead gets a hint of peace and quiet, or “rest in peace” so to speak. Is this what we have to look forward to after we die? It is a wonder why ghosts would even stick around and bother to communicate with the living world in the first place. What if the connection with the living world is worth being objectified and turned into a performer? Or perhaps, the messages from the other side are crucial enough to share that the living world needs to be an audience for these paranormal performers in order for them to receive these messages.

The Performance of Ghost Hunting Part I

Alex Matsuo

This is a two-part post about my studies into the relationship between performance and the act of ghost hunting.

A performance is typically defined as an event where there is someone who is presenting something, and there are a group of people observing. This definition of performance is not limited to only theatres or television and movies. A performance can take place at nearly any time of day at any kind of location. Performances can happen at school with the popular crowd, and they can happen at ghost hunts. Scholars have written thousands of book on performance studies and there are even degrees dedicated to the discipline. As a society that is ever growing and changing on a regular basis, there are so many different types of performances out there that appease almost every person out there. From traditional musicals that warm the heart, to the heart-wrenching dramas that influence someone to call their mother to tell them they love her, to the soul shattering avant-garde performance that makes you analyze what it means to be human….performance is an essential part of our existence that is necessary in order for us to survive and thrive.

Before we dive into the performance of ghost hunting, let us take a moment to consider the relationship between performance and spirituality. The earliest roots in theatre lie in ancient Greece in something called, “ritual reenactment”. Back before theatre and performance was established, the ancient Greeks wanted to honor the gods by telling stories of their greatness. This initially began as “oral tradition” where someone would dramatically tell stories of the gods, with an audience watching. The audience would then become performers themselves and spreading the stories around like wildfire. With ritual reenactment, these early performances including singing hymns and performing some kind of movement.

To keep this along the lines of being the abridged version, the villages and tribes began to compete with each other by adding costumes, live music, and written texts in their performances for the gods. One could argue that the original audiences were the gods, and the transition from performing for them to performing to fellow humans was one of the breakthrough moments in the creation of live theatre. Overall, theatre is a very spiritual experience, which the philosopher Aristotle argued that it was needed for the purposes of catharsis, meaning the purging of emotions. If you have ever cried during a movie, you had a cathartic experience. Catharsis was seen as a necessity for cleansing the soul.

With the thought in mind that theatre was originally intended to be spiritual and for the gods as a gift, is it a surprise that there are rumors about theatres being haunted in the first place. Some of my favorite cliché ghost stories come from the urban legend of haunted theatres from the spurned woman in white who lost her chance to be on the stage to the Macbeth curse causing shenanigans in each production, there is a strong connection there. Until the media came into existence with television and film, theatre was the vehicle for expressing society’s belief in the paranormal, and you can watch that belief evolve over time by just analyzing the plays from each time period.

I suppose that the title of this article can be misleading, as it is not an article on how to perform a paranormal investigation or ghost hunt, there are enough of those books out there on the market. Instead, it is a venture into a theory that theatre people, whether they are actors, tenant, directors, dancers, etc. they are inadvertently capturing the attention of the ghosts and causing a performance from both the living and the dead. Artistic people are interesting enough on their own, and I would not be surprised if a ghost chose to attempt communication with an artistic person over someone whose not. I will say that artists are very open-minded to the world around. Could they be lifting a psychic wall around them and making them more vulnerable to having some sort of communication with the other side? If you were dead, and you couldn’t find a way to communicate with the living, and you found someone who could hear you, wouldn’t you do whatever you could muster up to catch their attention? The answer is probably yes. But this isn’t a performance. That is the lost seeking out a solution. When the situation is reversed, and there is someone trying to communicate with a deceased person, the ghost isn’t able to communicate in the way that they used to in life, so they have to pull out the dramatic displays in order to get their point across. I would imagine that this is an extremely frustrating endeavor.

The most obvious example of performances in ghost hunting is in paranormal reality shows that became increasingly popular in the early 21st century. It is a far cry from ritual reenactment and the once cathartic experience that was the performance space. I think perhaps the reason why for this widespread popularity was the fact that the paranormal is an unknown area of knowledge. You can’t get a college degree in paranormal studies and many people who do come forward with experiences in the public eye are portrayed as being insane and not to be taken seriously. At the end of the day, these production companies need to make money. You make money by drawing in an audience, and you keep that audience by continuing to make your show entertaining. I won’t say that the “paratainment” business has sullied the investigation field, but instead, has brought exposure to the paranormal and hopefully making people more open-minded about the existence of ghosts. In the last ten years, there has also been a dramatic rise in the number of ghost tours at numerous haunted locations, where a group of people will go ghost hunting for a night while locked in a building with a guide. The paranormal reached a new height when it came to monetizing the potential interactions with the dead, which many people pay big money for. But because the factor of money is now included in the experience, I have to wonder if along with tickets being paid, if there was an expectation of goods to be delivered (such as a paranormal experience). In turn, does this turn ghosts into entertainers? And if so, what does this mean for the ghosts at the Tenth should Jeff decide to move forward with the guided ghost tours?

I would like to say that my investigations and research into the building have not subjected the ghosts into being put into a situation where they are being asked to perform tricks, since I don’t expect them to ever perform for me. If they choose not to communicate, while I may be disappointed, I acknowledge that it is their right to not talk. But another researcher from the outside looking in may have a different opinion. Where is that fine line between requesting communication and asking the ghosts to essentially perform tricks? I suppose that it is all in the eye of the beholder and the ghosts that are being placed in that situation. If you were to ask me what my long-term goal was for the Tenth, it would be that someday the most prestigious researchers in the paranormal and psychic phenomenon visit the Tenth. It would be great to be able to secure the building for a weekend (at the very least) and let these researchers loose in the building and see what comes of it.

Performers, in terms of actors, dancers, musicians, and artists, seem to be completely different people compared to business professionals or those who don’t consider themselves to be artistically minded. For example, let us go back to the Ganzfeld experiment, which is the sensory deprivation experiment that leads to the altered state of consciousness. There was a study conducted in 1992 where the American Society for Psychical Research used twenty of the most gifted students from the Julliard School in New York City and put them through the sender-receiver experiment. The results were extraordinary because there was a success rate of 50%, which was double the success expectation rate. The facilitators of the experiment, Charles Honorton and Marilyn Schlitz then used eight musicians for the remainder of the experiment. Six out of the eight students either had direct hits or a 75% success rate. Again, these are extraordinary results. The theory behind this success rate was due to the participants; especially the musicians have a dissociated state of mind. Very much like meditation, being dissociated is very much like the feeling of being on autopilot and disconnecting from the outside word. According to John G. Kruth, the executive director of the Rhine Research Center, jazz musicians who often improvise their music will go into this state as they play, channeling the environment around them as they make up their own tune. What would happen if we allowed a bunch of actors to go in and ghost hunt for a night? What kind of results would come up from the night? If we go by the results of the study of the Julliard students and the Ganzfeld experiment, it seems as though there could be potential of a productive interaction with the ghosts.

Ready for more? Here’s Part II.

Ghosts of My Past

Alex Matsuo

It’s a cheesy title.  But the best I can come up with.  This might be a tad embarrassing to talk about on my blog but this topic has been weighing heavily on my mind and it will affect the development of Japanese Eyes/American Heart.
In the play, Amaya is plagued by ghosts of her grandfather’s unknown past.  These “ghosts” are not seen in the world of the play, but can be seen in the audience’s world.  When the Shakespeare text was intertwined, the characters from The Tempest represented theses “ghosts”.  I originally kept the Shakespeare in because I’m stubborn.  It’s an ambitious decision to intertwine Shakespeare into contemporary text of my own words.  Plus, I was writing this play as my thesis for my graduate degree.  I hadn’t thought that this play would have a life outside of school.  However, I was mistaken.  It has begun to generate interest from others, hence to why I created this blog.  I realized after looking at my last few entries, I hadn’t been writing about the play development lately and for that I apologize.  When I get into my “zone” I don’t think about, “Oh, I need to go blog about this.”  I spend so much time in my books and researching, that I forget about the reporting aspect.  If you know me personally, I love being a dramaturg in theatre about as much as I love performing on stage.  It’s a way to stay involved and also learn as much as you can.  I’ve been doing so much research on Japan and World War II and how it affected Japanese-Americans that I find myself going on tangents when I talk to friends when they ask how my research is going.  Even though Little Women closed in May, I’m still sorting through research on Louisa May Alcott and her work.  I love historical research.  Period.
But now that I’ve taken the Shakespeare out, I feel like there is something missing.  I want Amaya’s interest in learning about John’s past to be more than curiosity, because my intention was more than curiosity.  It has been shaped from the void that is in me because I only had my grandpa for seven years before he passed away.  Seeing the characters I created come to life on stage brought the memories back and made the memories more real than ever.  I still get positive feedback from audience members and there is a strong consensus that the play stands well on its own without the help of good ol’ Will.
I had a few of my actors from the staged reading look at some old family photos of me with my grandparent’s in which the seven year old version of Amaya is based upon.  One took a look at the photos and said, “I can totally see the personality you wrote about in your face.”  I didn’t think it translated as well as I had thought.
Anyway, back to ghosts.  I wrote about the ghosts of my past echoing into my present.  But that’s not all of it.  My family seems to attract paranormal activity.  I’m not going to talk specifics here because I rarely talk about it at all.  But lately, I’ve been trying to educate myself in the paranormal not only for my play, but also to help answer questions that have plagued me almost my whole life.  Education aside, it’s also made me more interested in becoming an investigator and try to help people who are going through something unexplained.   Right now, I have this unexplainable drive to become more involved in my education of this realm that terrified me as a child and continued well into my teens and he offered an online class, and I took the opportunity.
I always felt like that something is motivating me to keep going with the Japanese Eyes/American Heart project.  Something supernatural and something I cannot explain.  I feel like there needs to be a story told; about identity, making peace with your past and accepting that you may never be able to know all the answers or explain everything.  How will the ghosts of Amaya’s past manifest on stage?  Will there be an actor physically leading Amaya to the medals?  Or will it be a fog machine?  Will they be actual actors on stage or will they be the result of lighting and sound designers?  I won’t put the answer here.  All I’ll say is, right now I’m focusing on memory.  If I could draw a diagram of the memories between Amaya and John…Amaya would be God-like, in it that John only exists in her memory, and therefore, his memories exist in her memory as well, but she just doesn’t know it.  Maybe next time I’ll draw something out and scan it so you can see.  It’ll probably help my actors too.
Well, that’s it for now.